My quintet Entropi is playing at Jazz In The Round on Monday. It’s a special Women In Jazz takeover. I’m looking forward to playing some of my new compositions and having some fun with my effects pedals!
I felt moved to share some of the cool experiences I’ve had in the first half of 2018. Looking back, I got to play with a wide variety of ensembles, which has taken me to some interesting places (both geographically and creatively).
In March I was super lucky to go on a mini tour of Mexico with Amy Lives. We played three dates in Monterrey, Guadalajara and Mexico City. The group features original members of the Amy Winehouse band, with an aim to continue sharing Amy’s much loved music with the world in an authentic and progressive way. It was a fantastic experience to meet so many warm and open-hearted people. Our gig in Mexico City (photo below) was sold out!!
Straight after returning from Mexico, I went to Paris to perform at Easter Sounds Festival with Brit Funk legends Atmosfear. The group led by bassist Lester Bachelor was a major player in the first Brit Funk wave back in the 80’s, notably with the worldwide hit ‘Dancing In Outer Space’. Easter Sounds Festival was an eclectic mix of DJs, live bands and jazz dancers of all generations – including the amazing Jazzcotech dancers. An inspiring few days!
In April I performed with the large ensemble Beats and Pieces, at their Jazzahead showcase in Bremen. This was the first time I’ve played with the band, and the circumstances were quite unusual: The regular first altoist Ollie Dover had a dental emergency and couldn’t play the gig. Luckily I was at Jazzahead as a participant (my fourth year in a row), so they asked me if I could jump in. Only problem is I didn’t have my saxophone and (more worryingly) I didn’t have my mouthpiece, which is very personal and specific to each sax player. But… through a stroke of luck, the guitarist Anton Hunter was doing a Sloth Racket gig with my good friend Cath Roberts in London the night before. Cath gave him a bag of mouthpieces, ligatures and reeds to fly out with the next morning. One mouthpiece, ligature and reed combination worked with Ollie’s sax. The gig went well! I’m also joining them for their 10th anniversary gig at Manchester Jazz Festival on 27th July.
I really enjoyed doing a bunch of improvised duo gigs with my LUME partner in crime Cath Roberts. In March we played at Soundling Festival run by Megan Steinberg, April at Bråk (a monthly improv series at Water Into Beer in Brockley run by Cath, Tom Ward and Colin Webster) and in May we kicked off a new monthly improv night ‘Creations’ run by cellist Shirley Smart at the Green Note in Camden. We’ve got a few more duo gigs coming up later on in the year… we’re playing at a Raw Tonk event – curated by label boss Colin Webster – at Hundred Years Gallery on 9th September and at Linear Obsessional Live in Brockley on 30th September.
Playing a late set at Pizza Express with Soul Immigrants in May was lots of fun. I’ve been involved with this band for over 10 years, and I still love the gritty, earthy vibe – something that is the mark of a long running band. SI goes out as a trio most of the time these days, but they invited me to come back and guest with them on a few gigs recently. These were all located in London’s Soho: The Spice of Life, Ronnie Scotts Upstairs Bar and then Pizza Express to end this series of gigs. We’ll be returning to Ronnie Scotts Upstairs bar for another night of unbridled groove on 4th November!
In June I played with the fabulous Nerija at Royal Welsh College of Music and Drama in Cardiff. I was depping for Cassie Kinoshi, who is a great saxophonist and composer. The gig was in the impressive new foyer at RWCMD in front of a packed audience. We played quite a few new tunes from their upcoming album. I enjoyed the fact that there was plenty of space to improvise!
Later on in June I played at Supersonic Festival in Birmingham with Bombyx Mori, an electronics/improvising sax and guitar duo with Ed Riches. We played on a stage curated by Ideas of Noise, which is a new adventurous festival run by Andrew Woodhead and Sarah Farmer. Ed and I have played together in many different musical ensembles and as a duo a few times in the past. It was great to revisit the duo format whilst using electronics, which always adds an element of unpredictability/excitement to the experience.
In the beginning of July I played with a new quartet featuring Johnny Hunter, Chris Sharkey and Mick Bardon at NQ JAZZ, a great original jazz night in Manchester run by Kyran Matthews and Emily Burkhardt. The group played post rock influenced original compositions by Johnny, with a large dose of electronics and improv. Chris brought along his recording equipment, so we managed to capture the madness and will hopefully expose more audiences to this music in the near future!
I’m pleased to say that my quintet Entropi has a cluster of gigs in October. In the quintet I am joined by Andre Canniere (trumpet), Rebecca Nash (keys), Olie Brice (double bass) and Matt Fisher (drums). On Thursday 4th October we are performing at Brighton Alternative Jazz Festival launch at the Verdict Jazz Club. The next day, Friday 5th, we’re playing at a Match & Fuse curated late session at The Vortex (double bill with Northern band Voronoi). On 13th October we’re playing at Marsden Jazz Festival. That performance will be recorded live and broadcast on BBC Radio 3’s Jazz Now programme. We’ll be playing some new material, which will make its way onto our third album due to be released on Whirlwind at some point in the near(ish) future.
In November I’m going to be involved in a ridiculously exciting project for EFG London Jazz festival, more on that soon! In December, plans are coming together for a cluster of activity with Cath Roberts’ ten piece ensemble, Favourite Animals, including a London date at City University. LUME is hatching plans for 2018/19: A new workshop series is under development as well as some cool happenings for 2019. Watch this space…
Thanks for reading and stay tuned!